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NEW: SOUTHWEST CONTEMPORARY MAGAZINE, Lydia Farrell’s suburbs can be a scary place
NEW: Reporting from Guadalajara: Yvette Mayorga at Museo de Arte de Zapopan. New York Times Q&A
At 69, Roberto Gil de Montes became a star.
Proyectos Ultravioleta exists to give artists voice, they are usually talking about the government
ART BASEL MAGAZINE: With memories of a long war fading, a new generation of Colombian artists emerge
NYTIMES: Reporting from São Paulo
HYPERALLERGIC: Diego Rodriguez-Warner can see in ways you can’t
NY Times: Traveling to far Argentina, via Milan
Dwell magazine: In Wisconsin, a modern dream
NEW: For an Italian Curator, Bogotá’s Modern Art Museum Is a Place to Make a Difference
NYTimes: A factory for high design
How can an art fair lure customers and make sales in a down market? Pitching its tent next to billionaires is a
NYTimes: In Aspen, a New Art Fair Follows the Money
NYTimes: From Mexico, Venice Biennale 2024
NYTimes: With shows in Medellín and Bogotá, Tania Candiani and the art of listening closely
NY Times: 10 years in, Museo Jumex finds its way
New: SOUTHWEST CONTEMPORARY magazine, Lydia Farrell’s suburbs can be a scary place
NY Times: LagoAlgo
NYT: Un documental muestra el peligroso oficio de ser reportero en México
NY Times: In Oaxaca, A Chill Hotel In Every Way But One
NY Times: What would Josef and Anni do?
NY Times: Proyectos Monclova pushes new artists while preserving Mexican Modern heroes past
NYTimes: DS+R’s Olympics museum: A building with world-class aspirations of its own
New York Times: In Bogotá, connecting consumers and high-design
NYTimes: How the Denver Art Museum kicked Columbus out the door
NYTimes: From Bogota, a first for Colombian style at the Milan Design Fair
NYT: Artist Cisco Jiménez is about to be discovered, again
NYT: In Bogota, selling art, but selling the idea of country, too
Venice Biennale: Attacking Mexico, with Mexico’s approval
NY Times: From Mexico City to Miami
NYT: Keith Haring, sliced, diced, and then resurrected